Ida

“Often I pretended to a cameraman to know less than I did. That way I got more cooperation.” Happy Birthday, Ida Lupino! Writer, director, producer, & star!

Surrealism inspired photo-series by Scotty Welbourne (1941).

A Late New Year Update

Some of you know about my Substack newsletter, and I am very grateful for those of you who read my sporadic updates. In a bid to be more regular, I recently (as in December 2021) activated the membership option. It’s basically Patreon, but not Patreon (is Patreon preferred? Let me know if so). This will enable me to keep the newsletter free, while enabling me to fund my research. The first piece is on Maar and Oppenheim’s (Em)body(ing) Art. More to follow shortly!

Man Ray, ‘Erotique Voilée’ (1933).

Happy Birthday, Dora Maar

“All Picasso’s portraits of me are lies. They’re all Picassos. Not one is Dora Maar.”

Happy Birthday to the brilliant Dora Maar 🖤🐚

Dora Maar in her Paris apartment, photographed by Lee Miller (c. 1956)
Dora Maar, Untitled (Hand-Shell) (1934)
Dora Maar, Untitled (double-exposed portrait) (1936)
Dora Maar, Père Ubu (1936)

Happy Halloween

Happy Halloween to all. Here’s a rebump of my article on Dennis Stock’s incredible photos of the wonderful Maila Nurmi, aka Vampira, for Magnum photos:

Dennis Stock Maila Nurmi, star of “The Vampira Show.” Hollywood. California. USA. 1954. © Dennis Stock | Magnum Photos.

Scott Weiland: Belated Birthday

Yesterday was the late musician Scott Weiland’s Birthday. I miss him a lot; miss the contribution to music he made and am grateful for the music he gave us.

Scott Weiland

I’m going to be honest, Velvet Revolver made me a bigger fan of Stone Temple Pilots than I previous was. I loved the two albums VR made (nobody will be surprised to learn I play them all the time). Yet I know not everybody shares my same viewpoint.

For six years and two albums, Velvet Revolver divided the rock community. Some fans and critics loved their brand of hard rock fuelled by sobriety and honed musicianship. In contrast, others found them a divided beast, the product of two much-loved bands with disparate styles (heavy rock rhythm section and a glammy grunge frontman) that did not quite mesh. While their combined history worked with them for the most part, it also brought a slew of comparisons to songs written twenty years prior. Whatever your perceptions of Velvet Revolver, there was no denying that the unity of three (then) former members of Guns N’ Roses and the singer of Stone Temple Pilot made an exciting, enticing combination. 

The story of Velvet Revolver is intriguing. Part organic, part orchestration, they were technically a new band, but the histories of its members ensured that it had a past already built-in, and try as they might, some could never escape their ghosts. While some made friends among them, one succumbed to them, leaving a rock n’ roll trail in their wake. Their debut album, Contraband, was a bold, punky attack on the senses. Even the name made it sound illicit like there was something a bit naughty about the music contained within. They ploughed on and made their more profound, more thoughtful Libertad. It became their unintentional swansong, circled in tragedy, yet presented a band who had found their grove since their debut. It did not fare as well critically, but it was by all accounts a honed beast layered with conflict. 

There would be other ventures, and an ultimate solo career. I often wonder what music Scott would still be making now should tragedy have not intervened. It’s one of those losses that I, personally, felt the most: he could not outrun his former ghosts.

Anyway, here’s to you, Scott, one of the best frontmen I have had the pleasure to see live. Thank you.