Book Review: ‘What Happened, Miss Simone?’ by Alan Light

 

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Nina Simone was a fascinating woman whose life and music continues to intrigue and captivate. I have always loved her voice, marvelled at her piano skills, and admired how she used lyrics to seduce in one song and damn in the next. Yet, appallingly, my knowledge of Simone’s life and character remained appallingly limited.

I unsurprisingly lapped up Liz Garbus’ Oscar-nominated, Netflix produced What Happened, Miss Simone? (2015) on its release. The warts-and-all film shows Simone’s undeniable talent – a musical genius whose audiences would be spellbound in her presence – yet whose personal life was extremely troubled and unsettled (loneliness, physical and chemical abuse, illness). She made mistakes. She was a difficult character. Yet she was a transcendental performer whose talent shines brightly on the screen. Would a written biography be able to capture her musical talent in quite the same way?

Nina Simone, born Eunice Waymon and raised in Tryon, North Carolina, was a musical prodigy who dreamed of becoming the world’s first black classical pianist. Playing the piano at her preacher mother’s sermons brought her to the attention of congregation member Muriel Mazzanovich – aka “Miss Mazzy” – her first piano teacher who co-founded a fund for Eunice’s musical education. This fund supported her move to New York to attend New York’s Juilliard School. As the fund dwindled she tried, and was rejected, for a scholarship at the Curtis Institute of Music in Philadelphia. Although she never fully recovered from this unfortunate incident, we can pinpoint this event as changing the course of the young woman’s life, initiating her evolution from Eunice Waymon to Nina Simone.

Alan Light’s biography of the singer, also titled ‘What Happened, Miss Simone?,” is an engrossing companion piece. Due to Simone’s electrifying performances, some individuals may find themselves preferring the faster paced, snappier, musically charged film to the written version. However, the book is richer in detail and includes periods of Simone’s life which Garbus, due to time restraints, naturally omitted. Light utilises additional first hand accounts by those closest to Simone – her musicians, ex-husband Andy Stroud, and her daughter Lisa Simone Kelly – providing a full yet stark account of this flawed but extraordinary artist whose life included numerous love affairs, struggle with sexuality, activism in the fight for civil rights, and career highs and lows. Fundamentally, Light paints Simone as a woman who never recovered from the lack of attention and affection her mother showed her in childhood, setting a precedent that would greatly influence Simone’s relationships with lovers, with her musicians, with her audience, and most significantly, with her daughter.

‘What Happened, Miss Simone?’ is a richly personal biography and a fitting companion to an enthralling film. Simone was a tormented genius – a mass of contradictions – who, underneath all of the drama and problems remained Eunice Waymon: the little girl from South Carolina whose biggest regret was that she never became the world’s first black classical pianist.

* ‘What Happened, Miss Simone’ by Alan Light is published by Cannongate Books
ISBN: 9781782118732

Do As Nora Charles

 

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Don’t be embarrassed.

We have all experienced a moment, a point in time, of tripping and falling flat on our face. The fall can be physical – a moment of clumsiness or brought on by wearing the wrong shoes – or, most often, the fall is emotional. This is a tricky one because dented pride and emotional scars run deep. It happens to all of us. We make mistakes, we stumble, fail and we experience major wrongs when nothing appears to be going as planned. The most integral thing is not the fall: it’s the recovery.

This occurred to me the other night while re-watching The Thin Man (1934), the unparalleled film series about the sleuthing adventures of Nick and Nora Charles (the divine Williams Powell and Myrna Loy). Nora’s entrance is classic screwball farce. While Nick is dapper and demonstrating the art of how to shake a perfect Martini at the bar, the beautiful and impeccably tailored Nora is dragged in by Asta, the couple’s wire haired terrier. With arms filled with Christmas shopping she looses her footing to take one of the most elegant prat falls in memory, perfectly splaying herself on the floor before being helped up by those around her. Nick does not help as much as watch on with an amused, yet loving, smile.

Yet, as she stands up, she is still perfect with not a hair out of place. She could dwell on her fall but instead the couple launch into their witty repartee for which the show is so adored. So what that she has fallen? She is not embarrassed- why should she be? Instead she points to her husband’s martini and asks “how many drinks have you had?”. When he replies, “this will make six Martinis,” she casually asks the waiter “will you bring me five more Martinis, Leo? Line them right up here”. She carries on as if nothing had happened.

If you fall – for whatever reason – so what? Don’t slink off with your tail between your legs. Remember the mantra: DO AS NORA CHARLES. Her pride is not sore (although her head certainly is the morning after). Don’t fret and wallow on the ground, pick yourself off, stand up straight and down six martinis.

Nora’s entrance

Peggy Guggenheim: Art Addict (Lisa Immordino Vreeland, 2015)

 

la-et-cam-peggy-guggenheim-art-addict-20151111From championing of a young artist named Jackson Pollack to the International galleries bearing her name, Peggy Guggenheim’s name is synonymous with art. Despite no formal training she possessed an artistic sixth sense when it came to greatness and an ability to seek out the marvellous. In Peggy Guggenheim: Art Addict, Lisa Immordino Vreeland weaves archive and audio recordings, film footage, and photographs with input from historians, curators and authors to produce an incredibly absorbing documentary on a remarkable woman.

Vreeland divides the film into chapters – decades and places that bookmarked a specific point in Guggenheims’s life. It’s quite a life. Born into a well-known, if rather eccentric New York family (her Uncle Solomon Guggenheim founded the New York Museum and her father Benjamin Guggenheim went down with the Titanic), she left her abusive marriage and job in New York bookstore for the Bohemian lights of Paris. She mixed with the great and good of the literary and art worlds – Dali, Ezra Pound, Picasso, Cocteau, Kandinsky – including Duchamp who she called her “great, great teacher”. Taking Duchamp’s advice to “go where the art was,” she travelled and opened numerous galleries across the world, including London’s Guggenheim Jeune Gallery, where the Surrealists held their infamous 1937 London exhibition and Dalí appeared in a deep sea diver’s suit.

Guggenheim’s life was filled with art, sex and adventure but was very low on personal satisfaction. Her marriage to Max Ernst ended when he had a affair with Leonora Carrington (he later married Dorothea Tanning), and she appears incredible lonely. This is why the film works so well: it is not a piece of hagiography but an intimate portrait of a woman whose life was less than perfect. She had a reputation for being ‘difficult’, she had affairs, she lacked confidence in her appearance  – further elevated when she endured a botched nose job that was never corrected – and even developed a nervous ‘tick’.

Guggenheim once said, “it’s horrible to get old. It’s one of the worst things that can happen to you”. Maybe she thought her name would be forgotten? Some may say she was lucky – and, yes, in many ways art was her protective shield and emotional crutch – yet there is no denying that she was very astute woman with a canny business sensibility who brought avant-garde to the masses. Vreeland’s documentary is paramount to her legacy; a beautifully executed artwork of a woman who deserves to be noticed.

*Peggy Guggenheim: Art Addict is released on DVD and VOD 22 February 2016