The LA Diaries 2019 #6: TCMFF weekend

As I am taking so long to write these posts, and a huge chunk of time has passed, I figure I best get a move on and tell you all about the final two days of the fest.

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TCMFF weekend started with the fabulous Double Wedding (1937), a raucously zany comedy reuniting Myra Loy and Willaim Powell as sparring partners who obviously become intensely attracted to one another. The ending was an absolute scream — I have never seen anything quite like it to be honest! A pleasure from start to finish. It set the day up quite nicely — plus, Marya bought a Pink Panda!

 

Then it was onto Blood Money (1933), a Pre-Code that ticked the boxes in stylish fair as Bondsman George Bankcroft becomes embroiled with the clients he is helping. By then it was midnight, and wanting to attend the midnight film, The Student Nurses (1970), my friend Millie and I literally climbed under the rail next to our seats to dash into the theatre. We literally escaped from Escape from New York! But it was worth dashing because Student Nurses was hugely enjoyable: a group of four young women studying in 1970s Los Angeles find their paths go in four very different ways. I loved it.

 

Then it was Sunday, the final day of the festival. The day, once again, started fabulously, with Katharine Hepburn and Cary Grant in Holiday (1938), a movie I had seen numerous times will rewatch at any opportunity. The chemistry between them is delightful, the gowns and hats are gorgeous, and the movie is delightful — a whole heap of joy.

I usually refer to this say as “Sirk Sunday” because I always watch a Douglas Sirk movie at the festival. This time it was Magnificent Obsession (1954), where Rock Hudson woos widow Jane Wyman without realizing he is somewhat unintentionally responsible for her late husband’s death. Gimme all the melodrama, I love it.

The final movie before the closing party was The Dolly Sisters (1945), a musical with more FANTASTIC surrealistic costumes, is how many of us chose to end our festival, and while this one was not necessarily my favourite, it was a great deal of fun. THE COSTUMES! I’m hoping to write more on this aspect of the movie. at some point so this is all I will say for now about that angle but YES WOW.

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We always close the festival in style at The Roosevelt to drink and chat and say our goodbyes, and later to grab fries at In-N-Out as per tradition.

 

The group of us staying up late to make the most of the festival shrinks every year, but it doesn’t matter, that’s not the point. It’s about enjoying the final minutes of the festival before we say goodbye for another year, about having one last laugh with friends and memories and shared experiences. And that’s what it’s all about.

 

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The LA Diaries 2019 #4: TCMFF Day 1

I had a great first day of TCMFF, mainly because it was different from how I have spent my time in previous years. The films always start in the early evening, and because I don’t do the red carpet or sit in the bleachers, I have no need to really be any place until the first show. Seeing the red carpet rolled out and set up in the morning and afternoon is always fun (especially if you’re eating lunch with a view), trying to cross the street or bypass the Boulevard in the afternoon is not so much, and becomes impossible the closer the clock approaches four. But I have all the detours memorized — you just need to add another five minutes to a two-minute coffee run.

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Instead of hanging around and soaking up the festival atmosphere, Kendahl and I followed up our plans from the previous night and jumped in a Lyft headed downtown for the final day of the Art of the Motion Picture Design Exhibition at the Fashion Institute of Design and Merchandising (FIDM).

 

Now in its 27th year, the exhibition brings together some of the most phenomenal movie costumes from a host of Academy Award-winning films. Amongst those on display included Ruth E. Carter’s award-winning work on Black Panther (I gasped), pieces from Avengers: Infinity War (I was hyperventilating by now — and this was in the first room), Ocean’s 8, Solo: A Star Wars Story, A Simple Favour, Crazy Rich Asians, and so many more! Here’s a snippet of what was on display.

 

With a couple of hours to spare after we finished, we nabbed another Lyft back to the station and caught a train back to Hollywood to avoid the rush hour traffic and arrived back in plenty of time for the first movie. Gentlemen Prefer Blondes (1953) at The Egyptian — what a way to kick off the festival!

The final film of the night was The Bachelor and the Bobby Soxer, a screwball romantic comedy (and first-time watch for me) starring Cary Grant, Myrna Loy and Shirley Temple. Temple is the smart high school student who develops a crush on cad artist (Grant), the man who her Judge older sister (Loy) had met in her courtroom the previous day. Obviously, they end up attracted to one another, much to the dismay of Rudy Vallee. It’s funny, a fresh take on a reliable formula, and just delightful. A great first day of the fest.