The LA Diaries 2019 #4: TCMFF Day 1

I had a great first day of TCMFF, mainly because it was different from how I have spent my time in previous years. The films always start in the early evening, and because I don’t do the red carpet or sit in the bleachers, I have no need to really be any place until the first show. Seeing the red carpet rolled out and set up in the morning and afternoon is always fun (especially if you’re eating lunch with a view), trying to cross the street or bypass the Boulevard in the afternoon is not so much, and becomes impossible the closer the clock approaches four. But I have all the detours memorized — you just need to add another five minutes to a two-minute coffee run.

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Instead of hanging around and soaking up the festival atmosphere, Kendahl and I followed up our plans from the previous night and jumped in a Lyft headed downtown for the final day of the Art of the Motion Picture Design Exhibition at the Fashion Institute of Design and Merchandising (FIDM).

 

Now in its 27th year, the exhibition brings together some of the most phenomenal movie costumes from a host of Academy Award-winning films. Amongst those on display included Ruth E. Carter’s award-winning work on Black Panther (I gasped), pieces from Avengers: Infinity War (I was hyperventilating by now — and this was in the first room), Ocean’s 8, Solo: A Star Wars Story, A Simple Favour, Crazy Rich Asians, and so many more! Here’s a snippet of what was on display.

 

With a couple of hours to spare after we finished, we nabbed another Lyft back to the station and caught a train back to Hollywood to avoid the rush hour traffic and arrived back in plenty of time for the first movie. Gentlemen Prefer Blondes (1953) at The Egyptian — what a way to kick off the festival!

The final film of the night was The Bachelor and the Bobby Soxer, a screwball romantic comedy (and first-time watch for me) starring Cary Grant, Myrna Loy and Shirley Temple. Temple is the smart high school student who develops a crush on cad artist (Grant), the man who her Judge older sister (Loy) had met in her courtroom the previous day. Obviously, they end up attracted to one another, much to the dismay of Rudy Vallee. It’s funny, a fresh take on a reliable formula, and just delightful. A great first day of the fest.

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The LA Diaries 2019 ​#3: The Night Before

 

The day before the festival is always fun; the sense of anticipation in the air palpable. Everybody is excited, happy, energized for what lies ahead. We start seeing each other on Hollywood Boulevard as we walk between The Roosevelt and bites of lunch or dinner, as we stroll between hotels or to pick up supplies that take us through four days of solid movies. Time becomes irrelevant.

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And then the day before becomes the night before, which always kicks off in style. The combination of the historic hotel, classic movies and the City is an intoxicating combination, on this night more than any other. So, I don my glitter heels, and I have a great time before it all gets crazy, before the movies start and before everybody is tired or on their way home. Because this is the night we have looked waited for since we arrived home from the previous year’s events. And when the party ends at the Roosevelt, we head to Boardners until 1am. The night becomes the early morning. TCMFF has begun.

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